![]() ProRes 422 is best suited for 8-bit formats, like HDV, XDCAM, DVCPRO HD, DSLR H.264. ProRes HQ is really best for formats that originated as 10-bit or higher…like Red, Alexa, AVCIntra. This response was marked as the solution: ![]() If ProRes 422 is not meant as an intermediate and is meant for delivery then isn’t it more appropriate for it to be in the stock category?Īfter looking around the net a bit, I found a thread on Apple’s official forum where someone asked the different between 422 and HQ. But if the resulting ProRes file is going to be brought back into an editor for more work and undergo multiple generations of transcoding, then HQ is the right choice. If an export is a one-and-done type of thing, then ProRes 422 is widely considered sufficient for delivery.
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